question archive The evolution of filmmaking
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The evolution of filmmaking.
Note: Just the answer it is multiple choice questions
QUESTION 1
The highest-grossing 90s movie was
a. |
Terminator 2: Judgment Day
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b. |
Jurassic Park
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c. |
Titanic
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d. |
The Lion King
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e. |
Toy Story 2
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0.2 points
QUESTION 2
Busby Berkeley's movies were an elaboration of the __________ format.
a. |
Astaire and Rogers
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b. |
Warner Bros. studio
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c. |
Broadway
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d. |
sketch
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e. |
revue
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0.2 points
QUESTION 3
An early predominant theme in The Jazz Singer is
a. |
show business vs. community
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b. |
high culture vs. popular culture
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c. |
hierarchy vs. talent
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d. |
psychology vs. culture
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e. |
restraint vs. energy
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0.2 points
QUESTION 4
Top Hat could be seen as a legitimate precursor to the naturalism of Singin' in the Rain by introducing
a. |
elaborate choreography
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b. |
an elitist context of a cruise ship
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c. |
a stylized abstract patterning
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d. |
a psychological element
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e. |
endearing musical lyrics like "Cheek to Cheek"
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0.2 points
QUESTION 5
As the Top Hat sequence progresses, the spatial environment of the dancers becomes increasingly
a. |
contained
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b. |
cultural
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c. |
exotic
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d. |
social
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e. |
private
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0.2 points
QUESTION 6
The 90s saw a continuation of the trend of major blockbuster success except
a. |
The Sixth Sense
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b. |
Hook
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c. |
Gladiator
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d. |
Mrs. Doubtfire
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e. |
Men in Black
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0.2 points
QUESTION 7
Continuing the themes of the 70s and 80s, 1990s African-American filmmaking included all except
a. |
Marco Bramilla's Demolition Man
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b. |
John Singleton's Boyz N The Hood
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c. |
the Hughes brothers' Dead Presidents
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d. |
Spike Lee's biopic Malcolm X
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e. |
Allen and Albert Hughes' Menace II Society
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0.2 points
QUESTION 8
Berkeley's staging in the lecture clip typically moves from theatrical to
a. |
uniform
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b. |
abstract
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c. |
individuated
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d. |
collaborative
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e. |
compelling
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0.2 points
QUESTION 9
The category of distinctive, independent, low-budget, non-mainstream 90s films would not include
a. |
Before Sunrise about an overnight budding romance in Vienna
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b. |
the painfully realistic black comedy Welcome to the Dollhouse
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c. |
the deadpan comedy cult film Clerks
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d. |
an offbeat western Dead Man with Johnny Depp
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e. |
the graphically violent and compelling Goodfellas
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0.2 points
QUESTION 10
Busby Berkeley's visionary and exaggerated form of filmmaking
a. |
is a logical progression of the audiovisual form and plots of early 30s musicals
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b. |
is not referenced in Singin' in the Rain
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c. |
is unrelated to audiovisual experience and plot
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d. |
severs an audiovisual experience from plot
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e. |
reconciles an audiovisual experience from plot
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0.2 points
QUESTION 11
The 90s trend of serious complex innovative filmmaking contained all except
a. |
Chuck Russell's adventure/fantasy/comedy The Mask
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b. |
The Player, Robert Altman's dark comedy about the movie business
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c. |
Oliver Stone's controversial study of mass murder, Natural Born Killers
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d. |
Wag the Dog, Barry Levinson's political satire
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e. |
Steven Soderberg's stylistic black-and-white Kafka
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0.2 points
QUESTION 12
The main cause of the decline of the musical was because
a. |
the studio system was breaking down and losing captive audiences
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b. |
the musical was a distinctive expression of the Hollywood studio era
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c. |
their optimism expressed a certain value or perspective that illuminated the entertainment industry
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d. |
its exuberance and optimism were pre-war values
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e. |
of their reluctance to deal with political and social questions
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0.2 points
QUESTION 13
Kubrick's psychosexual final film featured
a. |
Ashley Judd in the sleeper film Ruby in Paradise
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b. |
Anais Nin's explicit memoirs in Henry and June
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c. |
Woody Harrelson in The People Vs. Larry Flynt
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d. |
Sharon Stone in the erotic investigative thriller Basic Instinct
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e. |
Tom Cruise in Eyes Wide Shut
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0.2 points
QUESTION 14
The features of 2000s semi-offensive R-rated comedies would not include
a. |
bromances
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b. |
prurient films
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c. |
retooled romcoms
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d. |
enigmatic cult favorites
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e. |
profanity, sex and nudity
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0.2 points
QUESTION 15
Which does not belong in this 2000s cluster?
a. |
Hulu
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b. |
smart phones
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c. |
flat screens
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d. |
DVDs
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e. |
floppy disks
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0.2 points
QUESTION 16
The Western emerged as a central form of __________ in American cinema and society.
a. |
dichotomy
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b. |
consensus narrative
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c. |
storytelling
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d. |
antinarrative
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e. |
imagery
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0.2 points
QUESTION 17
The impact of the gunfight in McCabe & Mrs. Miller comes from understanding its overall __________ within the Western genre.
a. |
parameters
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b. |
symmetry
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c. |
uniqueness
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d. |
context
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e. |
ideology
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0.2 points
QUESTION 18
On a mythological level, every Western is essentially a
a. |
conquest
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b. |
founding story
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c. |
frontier settlement story
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d. |
battle
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e. |
drama
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0.2 points
QUESTION 19
Both the format of the movies and the content of Westerns were mutually
a. |
individuated
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b. |
indifferent
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c. |
complementary
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d. |
inappropriate
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e. |
exclusive
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0.2 points
QUESTION 20
The "real" West from 1860-1890 encompassed all these events except
a. |
genocide against Native Americans
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b. |
The Virginian
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c. |
the laying of the transcontinental railroad
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d. |
the Civil War
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e. |
the California and Dakota gold rushes
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0.2 points
QUESTION 21
McCabe & Mrs. Miller comes __________ the consensus dispensation on Westerns.
a. |
before
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b. |
during
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c. |
after
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d. |
simultaneous with
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e. |
unrelated to
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0.2 points
QUESTION 22
All these were impactful international films of the 2000s except
a. |
Cristian Mungiu's 4 Months, 3 Weeks and 2 Days
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b. |
Ang Lee's Crouching Tiger, Hidden Dragon
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c. |
Clint Eastwood's Letters from Iwo Jima
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d. |
Mel Gibson's The Passion of the Christ
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e. |
Guillermo del Toro's Pan's Labyrinth
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0.2 points
QUESTION 23
The studio that produced the greatest number of animated movies in the 2000s was
a. |
IMAX
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b. |
DreamWorks
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c. |
Disney
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d. |
Pixar
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e. |
Square Pictures
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0.2 points
QUESTION 24
Which is not a dichotomy inherent in Westerns?
a. |
frontier settlers vs. Conestoga wagons
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b. |
civilization vs. savagery
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c. |
the desiccated East vs. the authentic West
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d. |
community vs. the individual
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e. |
culture vs. nature
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0.2 points
QUESTION 25
Which of these was not a feature of recycling 2000s horror films?
a. |
no big-name actors
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b. |
unprofitable genre franchises
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c. |
attractive to large audiences
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d. |
disliked by critics
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e. |
low-cost budgets |