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Tutors read the following passage thoroughly before scrolling down

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Tutors read the following passage thoroughly before scrolling down. Don't use ANY OTHER resource besides the passage provided in this question please and thank you. After reading the passage, choose the answer that best matches the question and provide a brief explanation with why you think the answer is correct.

Excerpt from A Doll's House by Henrik Ibsen

(THE SAME SCENE—The Christmas Tree is in the corner by the piano, stripped of its ornaments and with burnt-down candle-ends on its dishevelled branches.?NORA'S?cloak and hat are lying on the sofa. She is alone in the room, walking about uneasily. She stops by the sofa and takes up her cloak.)

NORA (drops the cloak). Someone is coming now! (Goes to the door and listens.) No—it is no one. Of course, no one will come today, Christmas Day—nor tomorrow either. But, perhaps—(opens the door and looks out.) No, nothing in the letter-box; it is quite empty. (Comes forward.) What rubbish! of course he can't be in earnest about it. Such a thing couldn't happen; it is impossible—I have three little children.

(Enter the?NURSE?from the room on the left, carrying a big cardboard box.)

NURSE. At last I have found the box with the fancy dress. 

NORA. Thanks; put it on the table.

NURSE (doing so). But it is very much in want of mending.

NORA. I should like to tear it into a hundred thousand pieces.

NURSE. What an idea! It can easily be put in order—just a little patience.

NORA. Yes, I will go and get Mrs. Linde to come and help me with it.

NURSE. What, out again? In this horrible weather? You will catch cold, ma'am, and make yourself ill.

NORA. Well, worse than that might happen. How are the children?

NURSE. The poor little souls are playing with their Christmas presents, but—

NORA . Do they ask much for me?

NURSE. You see, they are so accustomed to have their mamma with them.

NORA. Yes, but, nurse, I shall not be able to be so much with them now as I was before.

NURSE. Oh well, young children easily get accustomed to anything.

NORA. Do you think so? Do you think they would forget their mother if she went away altogether?

NURSE. Good heavens!—went away altogether?

NORA. Nurse, I want you to tell me something I have often wondered about—how could?you have the heart to put your own child out among strangers?

NURSE. I was obliged to, if I wanted to be little Nora's nurse.

NORA . Yes, but how could you be willing to do it?

NURSE. What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.

NORA. But I suppose your daughter has quite forgotten you.

NURSE. No, indeed she hasn't. She wrote to me when she was confirmed, and when she was married.

NORA (putting her arms round her neck). Dear old Anne, you were a good mother to me when I was little.

NURSE. Little Nora, poor dear, had no other mother but me.

NORA . And if my little ones had no other mother, I am sure you would—What nonsense I am talking! (Opens the box.) Go in to them. Now I must—. You will see tomorrow how charming I shall look.

NURSE. I am sure there will be no one at the ball so charming as you, ma'am. (Goes into the room on the left.)

NORA (begins to unpack the box, but soon pushes it away from her). If only I dared go out. If only no one would come. If only I could be sure nothing would happen here in the meantime. Stuff and nonsense! No one will come. Only I mustn't think about it. I?will brush my muff. What lovely, lovely gloves! Out of my thoughts, out of my thoughts! One, two, three, four, five, six—(Screams.) Ah! there is someone coming—. (Makes a movement towards the door, but stands irresolute.)

(Enter?MRS. LINDE?from the hall, where she has taken off her cloak and hat.)

NORA. Oh, it's you, Christine. There is no one else out there, is there? How good of you to come!

MRS. LINDE. I heard you were up asking for me.

NORA. Yes, I was passing by. As a matter of fact, it is something you could help me with. Let us sit down here on the sofa. Look here. Tomorrow evening there is to be a fancy-dress ball at the Stenborgs', who live above us; and Torvald wants me to go as a Neapolitan fisher-girl, and dance the Tarantella that I learnt at Capri.

MRS. LINDE. I see; you are going to keep up the character.

NORA. Yes, Torvald wants me to. Look, here is the dress; Torvald had it made for me there, but now it is all so torn, and I haven't any idea—

MRS. LINDE. We will easily put that right. It is only some of the trimming come unsewn here and there. Needle and thread? Now then, that's all we want.

NORA. It?is?nice of you. 

1)Which detail from this excerpt best foreshadows a tragic element to the end of A Doll's House?

A.NORA. Yes, but, nurse, I shall not be able to be so much with them now as I was before.

B.NORA. Nurse, I want you to tell me something I have often wondered about—how could?you have the heart to put your own child out among strangers?

C.NURSE. What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do single thing for me.

D.NORA (putting her arms round her neck). Dear old Anne, you were a good mother to me when I was little.

E.NURSE. I am sure there will be no one at the ball so charming as you, ma'am. (Goes into the room on the left.)

2) Which detail from this excerpt best foreshadows a tragic element to the end of A Doll's House?

A.NORA. Yes, but, nurse, I shall not be able to be so much with them now as I was before.

B.NORA. Nurse, I want you to tell me something I have often wondered about—how could?you have the heart to put your own child out among strangers?

C.NURSE. What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do single thing for me.

D.NORA (putting her arms round her neck). Dear old Anne, you were a good mother to me when I was little.

E.NURSE. I am sure there will be no one at the ball so charming as you, ma'am. (Goes into the room on the left.)

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