question archive Imagine you are a character in a comedy
Imagine you are a character in a comedy
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Imagine you are a character in a comedy. And also a romance. And yet again in a comedy-romance. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic, romantic, and comedy-romantic films. Name some other characteristics one finds; how do they contribute?
