Question A:

Think of a musical culture in which you participate, and come up with a name for it. Is it possible for people to gain or lose access to that culture over time?

 

1. Claim - Provide an answer to one of the above questions as they apply to music. Make a clear, easy-to-follow argument, with evidence, for why you believe this to be true. The claim should include

 

1. Reference - In support of your claim, make at least one reference to the article above, and read a passage from it; and

 

1. Musical Example - In support of your claim, mention at least one musical example—from class or from your own life—that will help us understand your claim.

Link for the article: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/viewer.html?pdfurl=https%3A%2F%2Fubonline.ubalt.edu%2Faccess%2Fcontent%2Fgroup%2F1222ARTS121001%2FReading%2Fcottom%2520tressie%2520mcmillan%2520reading%2520hick%2520hop%2520the%2520shotgun%2520marriage%2520of%2520hip%2520hop%2520and%2520country%2520music%2520the%2520honky%2520tonk%2520on%2520the%2520left-1.pdf&clen=965843

Additional instructions from the student:

This is music class assignment and please see the file attached below.

Richler's granddad, a rabbinical researcher, emigrated to Montreal in 1904 from Galicia, an area then, at that point, part of the Austro-Hungarian Empire and today split among Poland and the Ukraine. Laying out a scrapyard, the senior Richler slowly incorporated the worry into a fruitful business that utilized a portion of his fourteen kids. Moses Isaac Richler, the oldest of the Richler children, followed his dad into the privately-owned company; be that as it may, dissimilar to his more youthful sibling, Solly, he was never made a full accomplice. Moses Richler's inability to accomplish however much his kin was subsequently investigated in the works of his child, Mordecai Richler, who was brought into the world on January 27, 1931.

A group of passionate Orthodox Jews, the Richlers lived in the Jewish area in Montreal based on St. Urbain Street; at one at once, of the family lived across the road from each other. Richler later deified the region in his clever St. Urbain's Horseman as an exuberant, supporting spot in spite of the financial difficulties that a significant number of the occupants confronted. At home, notwithstanding, the youthful Richler was observer to his folks' inexorably troubled marriage, which he ascribed to his dad's aloof nature. In 1943, his mom, Lily Richler, had the marriage abrogated in light of the fact that she had been an underage lady and had hitched without her folks' assent; despite the fact that Richler and his more established sibling were then youths, the cancellation was conceded.

Richler was energized in his strict investigations at a Jewish parochial school; his folks trusted that he could turn into a rabbi. In the wake of entering Baron Byng High School, be that as it may, Richler started to foster a more common character. Despite the fact that Richler's Jewish roots stayed fundamental to his character for the remainder of his life, he deserted the greater part of the Orthodox practices that he had been instructed. His most prominent resistance, nonetheless, happened when he deserted his course work at Sir George Williams College (today known as Concordia University) after his subsequent year. Richler was bored with his investigations and yearned to break liberated from his commonplace life and seek after a vocation as an author.

Ostracize Writer
In 1949, after a concise spell on the staff of the Montreal Herald, Richler started going in Europe and ultimately invested a drawn out energy in Paris, where he distributed his first piece of fiction, "Shades of Darkness (Three Impressions)" in the artistic magazine Points. Supported by this early achievement, Richler likewise dealt with the original copy for a novel, The Acrobats, about a meandering Canadian visionary propelled by the International Brigades of the Spanish Civil War.

With his pockets vacant, Richler got back to Montreal in 1951 while his first composition got out and about of a few European distributing houses. He functioned as both a sales rep and as a radio proofreader for the Canadian Broadcasting Corporation while he updated The Acrobats following its contingent acknowledgment by a British distributer. In 1954, the book at last was distributed. It got genuinely great surveys, yet sold around 900 duplicates in its initial not many years on paper in Canada. As Richler reviewed in his introduction article in 1958 (reproduced in recognition of his demise in 2001) in Maclean's, a Canadian news magazine, "My last eminence explanation from New York cost me a decent arrangement of rest. It covered the most recent a half year in 1956, and in that period two duplicates of The Acrobats had been sold. One homegrown and the other Orient. For evenings, I was kept alert reasoning, 'Who on earth do I know in the Orient? Could it be feasible to follow the purchaser? Shouldn't we relate? Or then again did he, maybe, purchase the book in blunder?"'

Step-by-step explanation

well explained